Blood Orange (Dracula Duet #1) Read Online Karina Halle

Categories Genre: Dark, Fantasy/Sci-fi, Paranormal, Vampires, Witches Tags Authors: Series: Dracula Duet Series by Karina Halle
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Total pages in book: 119
Estimated words: 112849 (not accurate)
Estimated Reading Time in minutes: 564(@200wpm)___ 451(@250wpm)___ 376(@300wpm)
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Today though, we have more one-on-one time together. I have to give my students their piece for the winter recital, something they will play accompanied by a few string or wind instruments. Each student gets something different, something I have selected based on their style and skill level.

Dahlia is up first.

With the four students watching, I get up and open my folder, handing each student their piece.

Dahlia is looking especially ravishing today. A romantic mint-green dress that reminds me of another time, paired with Doc Martens for contrast. Her long red hair spills over her bare shoulders as she stares at the sheet music I’ve handed her.

“Do you want me to demonstrate first?” I ask her.

She stares up at me, her eyes matching her dress, a fiery determination in them. “No. I can figure it out as I go.”

I figured she would say that. The woman seems to abhor help.

I smile at her and nod my head to the organ. “All right, Ms. Abernathy. Have at her.”

She gets up and, with her chin held high, walks to the organ. She delicately places the paper on the stand, slips off her sandals, slides on socks and her organ shoes, then assumes the position.

I watch her carefully as her eyes flick over the sheet of music, taking it all in, trying to make sense of it. It’s like I can see the way she slots it in her head, like doing a mathematical equation, playing it there first before she tries to bring it to her life with her hands and feet.

She clears her throat and gives me an impatient look over her shoulder, as if she’s been waiting for my cue.

I just nod slightly.

Then she’s playing. Jumps right into it with more confidence than I’ve seen from her. The piece starts off purely with the organ and it starts off with a bang. It’s composed not by a famous musician, but by an artist I know personally, Sigmund Krahe. It’s a fast and furious haunting piece that I think fits Dahlia well, for all her moodiness, her timelessness, her mystery.

And how she plays it well. There’s something magical about the way the organ responds to her, how fast her feet and fingers fly. She’s in her element, becoming one with the notes, and it makes me hard as fuck. I have sit down to watch the rest of her performance because all the blood in my body is rushing straight to my cock, the music, her music, overwhelming my cells. It’s the music of God, of a church that opens to both heaven and hell, filled with sinners and saints, all of it swirling around to make us the fallen creatures that we are.

I watch, holding my breath, drawn into a warm stupor of sorts, like I’m being spun in a web, caught in a spell, until she finally finishes playing.

I find myself clapping, coming back to reality. The rest of her classmates applaud too. It wasn’t a perfect performance—that’s what practicing will accomplish—but it was brave and it was bold and utterly captivating.

She twists around on the bench, her cheeks flushed, her smile bright, and it’s been such a painfully long time since I ever saw someone so beautiful.

“That was a gorgeous piece of music,” she says, breathless. “Who is Sigmund Krahe?”

I clear my throat, trying to calm my heart. “A musician who I knew you would do justice to.”

“Never heard of him,” she says, but from the twinkle in her eyes, I know that she’s proud of how she played. She seems to enjoy impressing me right now. Wanting to please me. That’s good to know. That makes me fucking harder.

“That may change after the recital,” I tell her, trying to act like her professor again and not some blubbering fool. “You may yet make him famous.”

Unfortunately having an erection during class is frowned upon, so I have to move onto the other students and forget about Dahlia for now. Luckily I’m dealing with the Bristol woman, Margaret, who has an uncanny way of sucking the life out of what she plays, and I feel myself calm down accordingly.

It isn’t until class is over and Dahlia is walking off, that I catch up with her and stop her, my fingers pressing lightly against her elbow.

She stares at me curiously, waiting for me to say something.

Normally this is the part where I would compel her. I would ask her for a drink and make her do it.

But I can’t seem to bring myself to do it with her, especially since there’s a chance she’s going to want to go for that drink.

Instead, I don’t say that at all.

“Are you happy with the piece I chose for you?” I ask her.

“Very,” she says. “Though you seem to have more confidence in me than you should. That wasn’t the easiest thing to learn off the bat.”


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